Azra Akšamija is an artist and architectural historian whose work investigates transcultural aesthetics, cultural mobility, and ways in which art and architecture can form a bridge between cultures. She is an Associate Professor of the Arts at the Massachusetts Institute of Technology Program in Art, Culture and Technology, where her research focuses on the representation of Islam in the West, architecture and conflict in the Balkans since the 1990s, and the politics of cultural memory and heritage. In her artistic work, Professor Akšamija combines intangible heritage from different cultural and historical contexts towards the creation of new art forms and shared future heritage. Her book, Mosque Manifesto (2015), offers a repertoire of ways in which creative forms of Islamic representation may foster better understanding between cultures, and generate a critical response to cultural stereotypes and politics of representation.
Professor Akšamija holds master’s degrees from the Technical University Graz and Princeton University, and a PhD in History of Islamic art and architecture from MIT. Her work has been shown at leading international venues including the Generali Foundation in Vienna, the Valencia Biennial, the Liverpool Biennial, Museum of Contemporary Art, Zagreb, SculptureCenter New York, Secession Vienna, Manifesta 7, Royal Academy of Arts, London, Queens Museum, New York, and the Fondazione Giorgio Cini as a part of the 54th Art Biennale in Venice. She received the Aga Khan Award for Architecture in 2013 for her design of the prayer space in the Islamic Cemetery, Altach, Austria.
Superkilen - A Playground for Pluralism in Architecture and Plurality. Edited by Mohsen Mostafavi. Zurich: Lars Muller Publishers, 2016.
This publication features the winners and shortlisted projects for the 13h cycle of the Aga Khan Award for Architecture.
This book brings together a diverse range of exemplary architectural projects from across the globe. Carefully selected and examined by a team of experts, these projects demonstrate innovative approaches that respond to the challenges and potentials of contemporary conditions and contexts.
One guiding principle of this 13th Cycle of the Aga Khan Award for Architecture is the importance of plurality. Since its inception the Award has aimed to be inclusive and to embrace the engagement of a diverse group of users. But equally, it has sought projects that explore a plurality of methods and architecture in achieving that goal.
Here, the authors of the essays use that productive tension between architecture and plurality not only to provide a framework for the examination of the projects but also to explore the intellectual and projective means by which architecture are plurality can find other common grounds in the future.