Azra Akšamija is an artist and architectural historian whose work investigates transcultural aesthetics, cultural mobility, and ways in which art and architecture can form a bridge between cultures. She is an Associate Professor of the Arts at the Massachusetts Institute of Technology Program in Art, Culture and Technology, where her research focuses on the representation of Islam in the West, architecture and conflict in the Balkans since the 1990s, and the politics of cultural memory and heritage. In her artistic work, Professor Akšamija combines intangible heritage from different cultural and historical contexts towards the creation of new art forms and shared future heritage. Her book, Mosque Manifesto (2015), offers a repertoire of ways in which creative forms of Islamic representation may foster better understanding between cultures, and generate a critical response to cultural stereotypes and politics of representation.
Professor Akšamija holds master’s degrees from the Technical University Graz and Princeton University, and a PhD in History of Islamic art and architecture from MIT. Her work has been shown at leading international venues including the Generali Foundation in Vienna, the Valencia Biennial, the Liverpool Biennial, Museum of Contemporary Art, Zagreb, SculptureCenter New York, Secession Vienna, Manifesta 7, Royal Academy of Arts, London, Queens Museum, New York, and the Fondazione Giorgio Cini as a part of the 54th Art Biennale in Venice. She received the Aga Khan Award for Architecture in 2013 for her design of the prayer space in the Islamic Cemetery, Altach, Austria.
Superkilen On-site Review Report, edited by Aga Khan Award for Architecture, 2016.
The On-site Review Report, formerly called the Technical Review, is a document prepared for the Aga Khan Award for Architecture by commissioned independent reviewers who report to the Master Jury about a specific shortlisted project. The reviewers are architectural professionals specialised in various disciplines, including housing, urban planning, landscape design, and restoration. Their task is to examine, on-site, the shortlisted projects to verify project data seek. The reviewers must consider a detailed set of criteria in their written reports, and must also respond to the specific concerns and questions prepared by the Master Jury for each project. This process is intensive and exhaustive making the Aga Khan Award process entirely unique.