Raised in the historic city of Isfahan, Mohammad Gharipour received
his Ph.D. in Architectural Theory and History from Georgia Institute of
Technology in 2008 and Masters of Architecture from the University of Tehran in
2000. He teaches architecture at Morgan State University and is the Director and Founding Editor of the International Journal of Islamic Architecture. His
areas of research include Japanese traditional and contemporary architecture,
Persianate gardens and architecture, and restorative environments. He is the
recipient of Spiro Kostof fellowship award from the Society of Architectural
Historians (SAH) in 2008 and the author of several publications including Persian Gardens and Pavilions: Reflections in
Poetry, Arts and History(I.B. Tauris, 2013). in 2014, Dr. Gharipour was presented with the National Endowment for Humanities Faculty Award for his research on Synagogues of Isfahan, Iran. He is also curator of the Archnet collection on Synagogues of Isfahan.
Karim, Farhan. "Between Self and Citizenship: Doxiadis Associates in Postcolonial Pakistan, 1958–1968." In International Journal of Islamic Architecture, Volume 5, Number 1(pp. 135-161), edited by Mohammad Gharipour, Bristol: Intellect, 2016.
In the two decades following the creation of Pakistan,1 its government embarked on a lofty project to establish Muslim nationalism as both a binding factor for the country’s culturally different east and west halves, and as a liberating force for the emerging Third World. A major focus of this project was to build democratic institutions including parliament buildings, universities, education training centres and polytechnic institutes. However, Pakistan’s shortage of architects and the government’s Cold War bent toward the United States eventually led to requests for technical assistance from the US Agency for International Development and the Ford Foundation. Through these partnerships Pakistan secured consultancy services from leading European and American architects. This article focuses on the work of Constantinos A. Doxiadis, whose projects included education reform, a university campus, a master plan of Pakistan’s new capital, Islamabad and a controversial refugee settlement project. This article asserts that the treatment of architecture as a flexible armature that could blend regional symbolism, Islamic iconography and technological modernism was the common theme underpinning Doxiadis Associates’s work in Pakistan. The result can be considered a strategy to transform Pakistan’s overarching Muslim nationalism into a hybrid of postcolonial selfhood and newly anointed citizenship that was infused with the United States’s post-war reformation spirit.