Raised in the historic city of Isfahan, Mohammad Gharipour received
his Ph.D. in Architectural Theory and History from Georgia Institute of
Technology in 2008 and Masters of Architecture from the University of Tehran in
2000. He teaches architecture at Morgan State University and is the Director and Founding Editor of the International Journal of Islamic Architecture. His
areas of research include Japanese traditional and contemporary architecture,
Persianate gardens and architecture, and restorative environments. He is the
recipient of Spiro Kostof fellowship award from the Society of Architectural
Historians (SAH) in 2008 and the author of several publications including Persian Gardens and Pavilions: Reflections in
Poetry, Arts and History(I.B. Tauris, 2013). in 2014, Dr. Gharipour was presented with the National Endowment for Humanities Faculty Award for his research on Synagogues of Isfahan, Iran. He is also curator of the Archnet collection on Synagogues of Isfahan.
Nassar, Hala and Robert Hewitt. "The Relocation of al-Fustat Pottery Village: Evaluating the Results of Urban Redevelopment." In International Journal of Islamic Architecture, Volume 1, Number 2 (pp. 367-381), edited by Mohammad Gharipour, Bristol: Intellect, 2012.
In an attempt to deal with environmental threats to the inhabitants of the Kum Ghurab district in Cairo, the Egyptian government closed the district's pottery kilns in 2003, jeopardizing the livelihood of potters who trace the origins of their workshops to the establishment of al-Fustat in AD 641, the first Islamic capital of Egypt. In response to this potentially tragic loss of cultural and social capital, a model development project was initiated to introduce modern kilns and commercial units as part of a new potters' village and arts and crafts centre. In 2010, the project was the subject of a field study and post-occupancy surveys of primary and secondary stakeholders in the new model village, the old pottery area awaiting demolition and a newly developed arts and crafts centre bordering the model village. Findings suggest that although the project exhibits shortcomings related to the amount of commercial disruption, loss of employment and citizen participation, relocation satisfaction problems appear to have been addressed in large part because commercial relocation occurred nearby, and local housing was available for area potters and workers; and a new arts and crafts economy has been established to address threats from globalization and technological change that have taken place within the broader pottery industry over the last several decades, reflecting greater demands for high quality decorative products and a wider range of arts and crafts products.