highly unusual figurative painted decoration in the ‘coffee-house’ style,
dating from the 19th century - as well as fine internal plasterwork, this house
is one of the most important examples of residential property to be recorded as
part of the Aga Khan Trust for Culture's survey in the old city. Painted on a plastered dome and, by
2009, in a very poor state of repair, it is remarkable that this mural has
some traditional houses in Herat have floral or geometric
painted decoration, a figurative painting on this scale is very unusual.
Stylistically, this mural resembles the folk art of the ‘qahveh khaneh’ or
coffeehouse, popular in Iran in the late 19th century Qajar Period. Such
paintings usually provided a backdrop for story-telling and religious rituals,
particularly during Muharram, but it is not clear how this small domestic space
might have been used. Conservation works entailed the reconstruction of
collapsed sections of brick masonry as well as repair of the roof, the
colonnaded veranda and the distinctive moulded brickwork on the courtyard
elevations of the house. The external timber screens along the upper colonnade
were conserved and surviving areas of decorative internal plaster stabilised.
In order to reduce the risk of future flooding of this low-lying property,
measures were taken to improve drainage in the wider area.
At the crossroads of the ancient world between the Steppe of Central Asia and the Indian subcontinent, Afghanistan has been at the centre of a network of cultural exchange and influence propagated by successive civilizations and empires for over four thousand years.
As Afghanistan recovers from decades of destruction, this book celebrates many of the Aga Khan Trust for Culture’s projects to restore monuments and other sites to their former glory. For decades, the Aga Khan Trust for Culture has been working to revitalize the social, cultural, and economic strength of communities in the Muslim world through its Historic Cities Programme. This book documents more than 100 such efforts that have been carried out in Afghanistan since 2002. Each project is illustrated with specially commissioned photographs and detailed descriptions. A powerful testament to the Trust's commitment to Islamic culture, this book documents the organisation’s ongoing work to celebrate, restore, and maintain Afghanistan’s cultural presence in the modern world.