This article analyzes a little-known painting of the sanctuary at Mecca in the Uppsala University Library, Sweden—one of the most sophisticated depictions of its kind. Datable to ca. 1700 and attributable to Cairo, the painting is among the earliest known depictions of the Holy Places in an illusionistic style with a bird’s-eye view, composed according to linear perspective. With minutely rendered details accompanied by more than seventy inscriptions, the work functions as an early map of Mecca. The Uppsala Mecca painting exemplifies the complexity of artistic exchange between Europe and the Ottoman world, which yielded highly original results. This discussion sheds light on the long, hybrid journey of Ottoman art towards realism, applied to a large-scale topographic landscape composition. The work marks a turning point in the history of Mecca painting and served as a model for European prints, through which the imagery spread all the way to East Asia. This study attempts to unravel the mysterious origins of the painting in the context of seventeenth- and eighteenth-century Egypt and the power struggles to control Egypt, the Hijaz, and the Hajj.

Necipoğlu, Gülru, and Maria J. Metzler, eds. 2020. Muqarnas. Vol. 37. Leiden: Brill.

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