Nasser Rabbat is the Aga Khan Professor of Islamic Architecture at MIT where he has been teaching since 1991. His interests include Islamic art and architecture, medieval urban history and historiography, and post-colonial criticism and its ramifications for the study of architectural history. He teaches courses on architecture in the Islamic world in general, in specific cities, or on particular themes such as environmentally responsive vernacular architecture. His seminars include Islamic urbanism, cultural signification in architecture, and Orientalism.
Professor Rabbat earned his BArch from the University of Damascus, his MArch II from UCLA, and his PhD from MIT. His dissertation "The Citadel of Cairo, 1176-1341: Reconstructing Architecture from Texts" won the 1991 Malcolm H. Kerr Dissertation Award from the Middle East Study Association. A book based on the same, The Citadel of Cairo: A New Interpretation of Royal Mamluk Architecture, was published in 1995. Professor Rabbat has a book of essays on architecture in Arabic which will be published in January 2002 by Riad Alrayyes Publisher, Beirut, Lebanon. The book is titled, Thaqafat al Bina1 wa Bina1 al-Thaqafa (The Culture of Building and Building Culture).
He is currently working on two projects: a book on the fifteenth-century historian al-Maqrizi and his Khitat, titled, Historicizing the City: The Significance of Maqrizi's Khitat, which will be published by Brill in 2003, and a book on the problems of representation in Mamluk sources, tentatively entitled, Shaping the Mamluk Image: The Scope of the Sources. He is also co-editing the 1999 Kevorkian Lectures at NYU, which will soon be published under the title, A Medieval Cairo for A Modern World. In addition to publishing essays in scholarly journals on Islamic cultural and architectural history and historiography, architectural criticism, and medieval urbanism, Professor Rabbat is a contributor to the following Arabic journals: Wughat Nazar, Akhbar al-Adab, Jaridat al-Funun, al-Hayat and al-Mustaqbal.
Rabbat, Nasser. "Architects and Artists in Mamluk Society: The Perspective of the Sources."Journal of Architectural Education (1984-), 1998., 30
This article analyzes the social standing of artists and architects during the
Mamluk period. It shows that the majority had a rather modest status. Those
few who achieved social recognition had to transform themselves intellectually
and socially to move beyond the confines of small-time artisanal limitations.
They had to become something else, in addition to being artists and
architects, before they could be acknowledged. This, however, is not a specifically
Mamluk attitude. All medieval cultures shared it. Our modern expectations
are retroactively and anachronistically inflated by the unprecedented
phenomenon of Renaissance Italy, when architects and artists became the