15th Cycle: 2020-2022 - Aga Khan Award for Architecture Recipients
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Kader AttiaFrance
Member of the Master Jury 2022
Kader Attia is an artist who explores the wide-ranging effects of western cultural hegemony and colonialism. Central to his inquiry are the concepts of injury and repair, which he uses to connect diverse bodies of knowledge, including architecture, music, psychoanalysis, medical science, and traditional healing and spiritual beliefs. Throughout his multimedia practice—ranging from sculpture to film installation—reparation does not mark a return to an intact state, but instead makes visible the immaterial scars of psychic injury. This approach is informed by Attia’s experience of growing up between the Algeria and the Paris banlieues.
Attia’s work has been shown in biennials such as the Shanghai Biennial; Gwangju Biennial; Manifesta, Palermo; Venice Biennial, Venice; and Documenta, Kassel. Notable solo exhibitions include Kader Attia. Remembering the Future, Kunsthaus Zürich, 2020; The Museum of Emotion, The Hayward Gallery, London, 2019; Scars Remind Us that Our Past is Real, Fundacio Joan Miro, Barcelona, 2018; Roots also grow in concrete, MAC VAL, Vitry-sur-Seine, 2018; Repairing the Invisible, SMAK, Ghent, 2017; The Injuries are Here, Musée Cantonal des Beaux Arts, Lausanne, 2015; contre nature, Beirut Art Center, Beirut, 2014; and Continuum of Repair: The Light of Jacob’s Ladder, Whitechapel Gallery, London, 2013. Attia has shown in group exhibitions at venues such as MoMA, New York; Tate Modern, London; and Centre Pompidou, Paris.
Attia has been awarded the Marcel Duchamp Prize (2016), the Joan Miró Prize (2016), and the Yanghyun Art Prize (2017). In 2016, Kader Attia founded La Colonie in Paris’s Gare du Nord area as a open space for decolonial thinking, debate, and cultural activism. Attia is the appointed curator for the 12th Berlin Biennale in 2022. Attia lives and works in Berlin and Paris.
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Kader Attia
France
Member of the Master Jury 2022
Kader Attia is an artist who explores the wide-ranging effects of western cultural hegemony and colonialism. Central to his inquiry are the concepts of injury and repair, which he uses to connect diverse bodies of knowledge, including architecture, music, psychoanalysis, medical science, and traditional healing and spiritual beliefs. Throughout his multimedia practice—ranging from sculpture to film installation—reparation does not mark a return to an intact state, but instead makes visible the immaterial scars of psychic injury. This approach is informed by Attia’s experience of growing up between the Algeria and the Paris banlieues.
Attia’s work has been shown in biennials such as the Shanghai Biennial; Gwangju Biennial; Manifesta, Palermo; Venice Biennial, Venice; and Documenta, Kassel. Notable solo exhibitions include Kader Attia. Remembering the Future, Kunsthaus Zürich, 2020; The Museum of Emotion, The Hayward Gallery, London, 2019; Scars Remind Us that Our Past is Real, Fundacio Joan Miro, Barcelona, 2018; Roots also grow in concrete, MAC VAL, Vitry-sur-Seine, 2018; Repairing the Invisible, SMAK, Ghent, 2017; The Injuries are Here, Musée Cantonal des Beaux Arts, Lausanne, 2015; contre nature, Beirut Art Center, Beirut, 2014; and Continuum of Repair: The Light of Jacob’s Ladder, Whitechapel Gallery, London, 2013. Attia has shown in group exhibitions at venues such as MoMA, New York; Tate Modern, London; and Centre Pompidou, Paris.
Attia has been awarded the Marcel Duchamp Prize (2016), the Joan Miró Prize (2016), and the Yanghyun Art Prize (2017). In 2016, Kader Attia founded La Colonie in Paris’s Gare du Nord area as a open space for decolonial thinking, debate, and cultural activism. Attia is the appointed curator for the 12th Berlin Biennale in 2022. Attia lives and works in Berlin and Paris.
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