Recipient of the Aga Khan Award for Architecture in 1989.
The powerful silhouette of this mosque, one of three set as pavilions along the corniche of Jeddah, facing the Red Sea, proclaims to all the presence of Islam. Classically Islamic in form, it has been rethought and transformed to serve contemporary purposes. Technologically, this building reflects the architect's extensive research in the methods whereby Egyptian mosques of the traditional high culture were built. The entire structure is of brick coated with plaster except for the dome interior in which the bricks are exposed and painted a dark bronze colour. The prayer hall itself is at the centre of a composition that includes the mihrab, projecting outward from the eastern wall just below an oculus, an entrance porch covered by a catenary vault and a square-based minaret with an octagonal shaft. The jury commended the architect "for the effort to compose formal elements in ways that bespeak the present and at the same time reflect the luminous past of Islamic societies."
Abel, Chris. 1988. Model and Metaphor in the Design of New Building Types in Saudi Arabia. In Theories and Principles of Design in the Architecture of Islamic Societies. Margaret Bentley Sevcenko (ed). Cambridge, Massachusetts: Aga Khan Program for Islamic Architecture.