Nasser Rabbat is the Aga Khan Professor and the Director of the Aga Khan Program for Islamic Architecture at MIT. A historian and architect, he was elected to the American Academy of Arts and Sciences in 2025. His research interests include the history and historiography of Islamic architecture, urbanism, and cultures, Mamluk history, modern Arab history, contemporary Arab art, and post-colonial criticism.

Professor Rabbat is the author of numerous books and scholarly articles, many of which are essential reading in the study of the art, architecture, and cultural history of Arab and Muslim civilizations. His most recent books are Writing Egypt: Al-Maqrizi and his Historical Project (2022), is an intellectual biography of the 15th-century historian, and Reconstruction as Violence in Assad's Syria (edited with Dean Sharp). He is currently completing a book on the “Dead Cities," an endangered series of abandoned towns and monuments on the Aleppo Plateau in Syria dating from Late Antiquity through the Byzantine eras.

Other Important works include The Destruction of Cultural Heritage: From Napoléon to ISIS (2016), co-edited with Pamela Karimi, and Al-Naqd Iltizaman: Nazarat fi-l Tarikh wal ‘Ururba wal Thawra (Criticism as Commitment: Viewpoints on History, Arabism, and Revolution) (2015), Mamluk History Through Architecture: Building, Culture, and Politics in Mamluk Egypt and Syria (2010); Thaqafat al-Bina’ wa-Bina’ al-Thaqafa (The Culture of Building and Building Culture) (2002); and The Citadel of Cairo: A New Interpretation of Royal Mamluk Architecture (1995). He edited The Courtyard House between Cultural Reference and Universal Relevance (2010, 2nd edition 2016), co-edited Making Cairo Medieval (2005), and co-authored Interpreting the Self: Autobiography in the Arabic Literary Tradition (2001).

Professor Rabbat regularly contributes to a number of Arabic newspapers on political and cultural issues. He lectures extensively in the US and abroad, consults with international design firms on projects in the Islamic world, and maintains several websites focused on Islamic architecture and urbanism. He has recently become involved in the debate on reconstruction and heritage conservation in Syria. He has established a collaborative research project at MIT, named “Ethics of Intervention”; co-founded Syrians for Heritage (SIMAT), an association concerned with the preservation of Syria’s cultural heritage; and co-curated, with Filiz Çakır Phillip, the exhibition “Syria: A Living History” at the Aga Khan Museum in Toronto in 2016-17.