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Alhambra  Alhambra
Alhambra
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Variant Names Alhambra complex, Madinat al-Hamra'
Location Granada
Client Yusuf b. Naghrallah (ca. 1052-156), Muhammad I (r. 1230-1272), Yusuf I (r. 1333-1354), Muhammad V (r. 1354-1391), Charles V (r. 1516-1556), Philip V (r. 1700-1746)
Date Mainly mid 13th to late 14thc.
Style/Period Nasrid
Centuries 13th, 14th, 16th
Building Types landscape, military, palatial
Building Usage garden, citadel, palace
Keywords 777 core monuments; citadel


Notes
The Alhambra, one of the most visited historic sites in the world, was the fortified palatine city of the Nasrid rulers of Granada. The complex's architectural and decorative programs have remained relatively intact since the fourteenth century, and as such are an important source of information about medieval Islamic palace architecture and its connections to classical and Mediterranean traditions.

Founded by the first Nasrid sultan, Muhammad I, who came to power in 1232, the complex underwent frequent additions and changes during the thirteenth and fourteenth centuries. Its walls enclosed a fortress, baths, mosques, industries, and a number of palaces and gardens.

The extant palaces are the Partal Palace, built during the reign of Muhammad III (r. 701/1302-708/1309), the Palace of the Myrtles built during the reigns of Isma'il I (r.713/1314-725/1325), Yusuf I (r. 733/1333 - 755/1354), and Muhammad V (r. 755/1354 - 760/1359, 763/1362-793/1391), and the Palace of the Lions, built during the reign of Muhammad V. The names by which these units of the Alhambra are known are recent inventions and have no relation to the original names.

The palaces of the Alhambra are famous for their rich decorative programme, exemplified by elaborately carved stucco, intricate glazed tile dadoes and woodwork (especially complex muqarnas vaults) and an extensive cycle of poetic inscriptions that are intimately connected to the architecture.

In 1492 the Spanish Catholic Kings conquered the Nasrid kingdom and appropriated the Alhambra complex. In the first half of the sixteenth century Charles V built a palace within its walls, necessitating some destruction of the Nasrid palaces, gardens and burial grounds to accommodate the new structure.

Restoration of the palaces of the Alhambra, which continues into the present, was begun during the nineteenth century, when the complex captured the imaginations of artists and writers associated with the Romantic movement.

Sources:

Dickie, James. 1981. "The Alhambra: Some Reflections Prompted by a Recent Study by Oleg Grabar." Studia Arabica et Islamica : Festschrift for Ihsan Abbas on his sixtieth birthday. ed. Wadad al-Qadi. Beirut: American UP, 127-49.

ibid. 1992. "The Palaces of the Alhambra." al-Andalus : the art of Islamic Spain . Ed. Jerrilynn D. Dodds. New York: MMA. 135-51.

Fernandez Puertas, Antonio. 1997. The Alhambra. 2 v. London : Saqi Books.

Grabar, Oleg. 1992. The Alhambra. 2d ed., rev. Sebastopol, Calif. : Solipsist Press.

Orihuela Uzal, Antonio. 1996. Casas y palacios nazaries : siglos XIII-XV. Seville: Junta de Andalucia, Consejeria de Cultura, Consejeria de Turismo y Deporte.

Ruggles, D.F. 2000. "The Alhambra." Gardens, Landscape, and Vision in the Palaces of Islamic Spain. University Park: Pennsylvania State University Press.

Downloadable documents associated with this site
Author Title Year
Ibrahim, Abdelbaki Mohamed (ed) The Alhambra Palace 1999
Bertagnin, Mauro. Apprendre du chantier: Le Bastion 23 et la Citadelle de la Casbah 1992
Barrucand, Marianne. The Case of the Sadi Qasaba of Marrakech 1989
Sevafolta, Ornella. Dreams from the East in the Nineteenth Century - Taste and Interiors: An Italian Perspective 1998
Kenesson, Summer S. Nasrid Luster Pottery: The Alhambra Vases 1992
Brothers, Cammy. The Renaissance Reception of the Alhambra: The Letters of Andrea Navagero and the Palace of Charles V 1994

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