Raised in the historic city of Isfahan, Mohammad Gharipour received
his Ph.D. in Architectural Theory and History from Georgia Institute of
Technology in 2008 and Masters of Architecture from the University of Tehran in
2000. He teaches architecture at Morgan State University and is the Director and Founding Editor of the International Journal of Islamic Architecture. His
areas of research include Japanese traditional and contemporary architecture,
Persianate gardens and architecture, and restorative environments. He is the
recipient of Spiro Kostof fellowship award from the Society of Architectural
Historians (SAH) in 2008 and the author of several publications including Persian Gardens and Pavilions: Reflections in
Poetry, Arts and History(I.B. Tauris, 2013). in 2014, Dr. Gharipour was presented with the National Endowment for Humanities Faculty Award for his research on Synagogues of Isfahan, Iran.
Türker, Deniz. "‘I don’t want orange trees, I want something that others don’t have’: Ottoman Head-Gardeners after Mahmud II." In International Journal of Islamic Architecture, Volume 4, Number 2 (pp. 257-285), edited by Mohammad Gharipour, Bristol: Intellect, 2015.
Among the many effects of the Tanzimat period’s political and cultural reforms was an overhaul of the physical appearance of the house of Osman. Borrowing from their immediate predecessor Selim III, sultans of the nineteenth century hired foreign horticultural experts to design their imperial gardens. The new post of the head-gardener, continually refilled by European expatriates until the early twentieth century, would revitalize the once prominent, pre-Tanzimat court institution of the gardeners’ corps. This article provides an in-depth look at the first of these figures, Christian Sester from Bavaria, who would design and install the last and largest of these imperial sites – the groves of Çragan Palace that would later become the Yldz palatial complex – and in the process reconfigure the corps with a group of his disciples. Sester’s scholastic foundation in the vibrant European milieu of the German Enlightenment later primed him to become the ‘noble’ garden expert among the equally multicultural émigré community that he would form in the Ottoman capital.