Raised in the historic city of Isfahan, Mohammad Gharipour received
his Ph.D. in Architectural Theory and History from Georgia Institute of
Technology in 2008 and Masters of Architecture from the University of Tehran in
2000. He teaches architecture at Morgan State University and is the Director and Founding Editor of the International Journal of Islamic Architecture. His
areas of research include Japanese traditional and contemporary architecture,
Persianate gardens and architecture, and restorative environments. He is the
recipient of Spiro Kostof fellowship award from the Society of Architectural
Historians (SAH) in 2008 and the author of several publications including Persian Gardens and Pavilions: Reflections in
Poetry, Arts and History(I.B. Tauris, 2013). in 2014, Dr. Gharipour was presented with the National Endowment for Humanities Faculty Award for his research on Synagogues of Isfahan, Iran.
Eimen, Alisa. "Mosque, Dome, Minaret: Ahmadiyya Architecture in Germany since 2000." In International Journal of Islamic Architecture, Volume 4, Number 1 (pp. 109-136), edited by Mohammad Gharipour, Bristol: Intellect, 2014.
This article examines the role of dome and minaret forms in recent mosque architecture through a case study of Ahmadiyya building activity in Germany. Although viewed by the majority of Muslims as a heretical sect, the Ahmadiyya are a visible Muslim presence in Germany as a result of their missionary activities and mosque-building campaigns. Exploring their mosque architectural practices both demonstrates the variety of belief and practice in Islam and enables analysis of conventions in mosque architecture, especially the dome and minaret. These forms trigger a range of associations for Muslims and non-Muslims, which have been complicated by Orientalist presuppositions concerning sacred space and the ‘other’. Thus the design and building process is a challenging one, as the community attempts to establish a distinct and non-threatening presence in Germany. Along these lines, domes and minarets are integral elements, connecting current structures to past building traditions and regions. Specialists in the field of architecture, however, are interested in innovation, often regarding dome and minaret forms as clichéd. This article examines the layered meanings that undergird continued use of conventions in mosque architecture, arguing that the domes and minarets convey important lessons to the worshipper about history, memory and ritual practice and assist in effecting attachment to place.