Michael A. Toler has been the Archnet Content Manager since September 2012. Since July 2018 he has been Interim Program Head of the Aga Khan Documentation Center at MIT (AKDC@MIT). Prior to that he served as the program Director for the Al Musharaka Initiative of the National Institute for Technology and Liberal Education. Michael was responsible for development of content for the Arab Culture and Civilization Online Resource, and for coordinating inter-institutional, collaborative endeavors of faculty, librarians, and technologists using technology to enhance teaching and research on topics relating to Islam, the Middle East, and North Africa.
Michael received a PhD in Comparative Literature with a Certificate in Translation Studies from Binghamton University (SUNY), after teaching in Morocco at L'Ecole Supérieure Roi Fahd de Traduction and Al Akhawayn University in Morocco. He also holds an MA and BA in English from New York University and Virginia Commonwealth University, respectively. He has published and lectured extensively on digital pedagogy and scholarship, as well as the literature, history, cinema, music, and cyberspace of the Maghreb, and the Middle East more widely. Michael is Board Member and Secretary of the Tangier American Legation Institute for Moroccan Studies.
(as of October 2018)
LibGuides: Staff Profiles: Michael Toler. MIT Libraries. Retrieved May 24, 2019, from https://libguides.mit.edu/profiles/mtoler https://perma.cc/6QQP-AVNE
Michael Toler | Massachusetts Institute Of Technology (MIT) - Academia.edu. Academia.edu. Retrieved May 24, 2019, from http://mit.academia.edu/MichaelToler https://perma.cc/DW8X-TCEB
ResearchGate: Michael A. Toler. Researchgate.net . Retrieved May 24, 2019, from https://www.researchgate.net/profile/Michael_Toler https://perma.cc/SHG7-QVZ7
Tape 2A. Rhaitas and tbola (singular tbel) from the region of the Chaouia
Recorded in Aïn
Diab, Morocco on August 1, 1959 by Paul Bowles
the recordings made at Ain ed Diab were done under the difficulties
inherent in trying to isolate one of dozens of groups performing
simultaneously. The occasion was an amara
enormous outdoor festival where there were more than 700 musicians and about
30,000 spectators. This particular sequence was recorded from a distance of
about 100 feet. It was impossible to get any nearer the group of performers
because of restrictions imposed by the authorities.
Source: Bowles, Paul F. "Ain ed Diab." in Folk, Popular, and Art Music of Morocco.
The Paul Bowles Moroccan Music Collection. Washington,
DC: American Folklife Center, Library of Congress, 1959-1962.
The Paul Bowles Moroccan Music Collection (AFC 1960/001), American Folklife Center, Library of Congress, Washington, D.C., Courtesy of the Paul Bowles Estate and Irene Hermann / Tangier American Legation Institute for Moroccan Studies