Michael A. Toler has been the Archnet Content Manager since September 2012. Since July 2018 he has been Interim Program Head of the Aga Khan Documentation Center at MIT (AKDC@MIT). Prior to that he served as the program Director for the Al Musharaka Initiative of the National Institute for Technology and Liberal Education. Michael was responsible for development of content for the Arab Culture and Civilization Online Resource, and for coordinating inter-institutional, collaborative endeavors of faculty, librarians, and technologists using technology to enhance teaching and research on topics relating to Islam, the Middle East, and North Africa.
Michael received a PhD in Comparative Literature with a Certificate in Translation Studies from Binghamton University (SUNY), after teaching in Morocco at L'Ecole Supérieure Roi Fahd de Traduction and Al Akhawayn University in Morocco. He also holds an MA and BA in English from New York University and Virginia Commonwealth University, respectively. He has published and lectured extensively on digital pedagogy and scholarship, as well as the literature, history, cinema, music, and cyberspace of the Maghreb, and the Middle East more widely. Michael is Board Member and Secretary of the Tangier American Legation Institute for Moroccan Studies.
(as of October 2018)
LibGuides: Staff Profiles: Michael Toler. MIT Libraries. Retrieved May 24, 2019, from https://libguides.mit.edu/profiles/mtoler https://perma.cc/6QQP-AVNE
Michael Toler | Massachusetts Institute Of Technology (MIT) - Academia.edu. Academia.edu. Retrieved May 24, 2019, from http://mit.academia.edu/MichaelToler https://perma.cc/DW8X-TCEB
ResearchGate: Michael A. Toler. Researchgate.net . Retrieved May 24, 2019, from https://www.researchgate.net/profile/Michael_Toler https://perma.cc/SHG7-QVZ7
"In these numbers the complement of performers had swelled to twenty-eight, and was inclined to split into two separate groups, both singing the same music and doing the same dance. Inasmuch as two groups make for confusion, particularly in the dark and with a crowd of several hundred men and boys pressing in (no women were present) I attempted to keep them together, but it was impossible. (I might add that at ten o’clock at night the temperature was still 108 degrees in front of the entrance to the borj.) Here the instruments are the same as in reel 9B, with the addition of tismamain, a set of three small brass finger-cymbals.”
Bowles, Paul F. "Tafraout." in Folk, Popular, and Art Music of Morocco. The Paul Bowles Moroccan Music Collection. Washington, DC: American Folklife Center, Library of Congress, 1959-1962.
The Paul Bowles Moroccan Music Collection (AFC 1960/001), American Folklife Center, Library of Congress, Washington, D.C., Courtesy of the Paul Bowles Estate and Irene Hermann / Tangier American Legation Institute for Moroccan Studies.